Question::
When can we get freed from our โpastโ? How does Truth-realized persons deal with their own โpastโ?
โโโโโ (or)
What sort of things does one experience as part of โSelf-realizationโ? How does he see himself in that state?
โโโโโ (or)
Why canโt we escape the impact of our environment? When can we escape it?
โโโโโ (or)
Why do we possess the limited and evolving individuality?
โโโโโ (or)
Why is it that the identification of โSelfโ with the body is termed โillusoryโ or โfalseโ?
โโโโโ (or)
When do we feel REALLY FULFILLED?
(or)
What is the game of โSelfโ? What constitutes the game of God-realization?
โโโโโ (or)
What sort of knowledge is attained by the โSelf-realized/Truth-realizedโ person?
โโโโโ (or)
What sort of fulfilment does โSelf-realization/Truth-realizationโ provide us?
Answer::
(Extracted from Meher Babaโs literature, which is a copyright of Avatar Meher Baba Perpetual Public Charitable Trust(ยฉAMBPPCT), Ahmednagar, Maharashtra, Bharat/India)
The โTruth-realized personโ seldom has any incentive to look back upon his โstored pastโ as he becomes free of it and is in no way influenced by it. But the point is that the โmemoryโ is there, though it does not restrict or distort the Truth-realized consciousness. He may make use of this โmemoryโ; but he is not bound by it.
All unrest has been quieted; and all โdelusionโ has melted away like mist before the sun. He has stepped outside the LIMITING and EVOLVING โindividualityโ, and knows himself as utterly different from it. He is not affected by its โfortunesโ or โmisfortunesโ, any more than a painter who knows himself to be different from his own paintings.
The painter knows all the โincompleteโ and apparently โmeaninglessโ and โuninvitingโ phases through which it has grown, before it assumed its last form. But now the scribbled lines have all been taken up in an entirely new and significant picture of eternal beauty.
As long as he was identifying himself with the โfalseโ and โperishingโ form through delusion, he could not escape the devastating impact of โenvironmentโ. He did actually enjoy and suffer vicariously for his own reflection or picture, through โfalse identificationโ. But now he knows thatโ
- it was not really he, as the โSelfโ, who went through all this travail.
- It was not he, as the Self, who descended to the โstone-stateโ or ascended to the โman-stateโ.
- It was not he, as the Self, who incarnated in numberless lives to taste the bitter-sweet fruit of duality, or enjoyed the pleasures of heaven or the sufferings of hell, or inch by inch toiled up the Path through the six planes of spiritual ascent.
The โSelfโ remains what it ever was from the very beginning, the one immutable Reality, infinite in existence, knowledge, bliss and power.
What has gone through all this illusion is the limited and evolving โindividualityโ, which the Self now knows to be different from itself. The โevolving individualityโ is now, in fact, known to be FICTITIOUS and UNREAL. It is at once the creation of โillusionโ and its victim.
The โSelfโ has not travelled the Path downwards or upwards. The โPathโ has, as it were, travelled past the Self. And during that process, the Selfโ through โfalse identification,โ took upon itself all the multitudinous vicissitudes that befell the evolving and limited individuality.
The โSelfโ is like a spectator of the cinema-film, identifying itself with the hero of the film story. The spectator ENJOYS and SUFFERS with the hero in each incident depicted on the screen in complete self-forgetfulness of his own true-being.
โโThen coming to himself at the close of the whole film-show, he finds thatโ nothing has really happened to him. All that the โSelfโ took upon itself through โdeluding identificationโ really happened as part of the story of creation, of which the Self, in fact, was a witness.
But, the ‘show’ has not been seen in-vain. It has played its part in the โeternal lifeโ of the immutable Self, which now knows and enjoys its own fullness and infinite divinity as it never did before. The โSelfโ now knows itself to be beyond all the cosmic cycles of creation.
- It remains untouched by anything that can happen in the illusion of the time-process.
- It knows itself to be that โimmortalityโ and โeternityโ which always itself remains unaffected by anything.
The game which the โSelfโ has witnessed is over, and it is in no way worse for it. In fact,
it was the โSelfโ itself that WILLED to enact and see the game. It was โits willโ to get temporarily lost in the game through โillusory identificationโ; and it was โits willโ to come back to itself, with a sigh of relief and the feeling of fulfillment.
If, however, the โSelfโ cares to glance at the film again, it no longer identifies itself only with the โheroโ or any one of the other โlimitedโ and โevolvingโ individualities, but with all the characters in the show. It knows itself to be
- the โheroโ and the โheroineโ,
- the ‘villain’ and the ‘friend’,
- the ‘victor’ and the ‘vanquished’,
- the ‘lover’ and the ‘beloved’.
It knows that it itself has been and is allโ individually and collectively, simultaneously and indivisibly.
In the light of the eternal Truth which the โSelfโ has attained, it can see not only its own past, but also the โpastโ of everyone else in its TRUE PERSPECTIVE.
As the sculptor stands apart from his work of art and views it with โutter detachmentโ, he discovers thatโ all the time, the chisel was at work, the ineffable and irresistible beauty which he now enjoys was taking shape, in spite of the grotesque and formless phases through which the โstatueโ went. In the final result, there is
- the reparation of all wrongs,
- the healing of all wounds,
- the success of all failures,
- the sweetening of all sufferings,
- the solace of all strivings,
- the harmony of all strife,
- the unravelling of all enigmas, and
- the real and the FULL MEANING of all lives- ‘past’, ‘present’ and ‘future’.
– Meher Baba
Source ::
Sparks of the Truth, Pg:: 74-76
ยฉ AMBPPCT, Ahmednagar, Maharashtra, India/Bharat

